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	<title>FlaLaw &#187; Caroline Joan (Kay) Picart</title>
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	<description>University of Florida Levin College of Law</description>
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		<title>3L publishes two law review articles, awaits book publishing</title>
		<link>http://www.law.ufl.edu/flalaw/2012/04/3l-publishes-two-law-review-articles-awaits-book-publishing/</link>
		<comments>http://www.law.ufl.edu/flalaw/2012/04/3l-publishes-two-law-review-articles-awaits-book-publishing/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 14:08:24 +0000</pubDate>
		<dc:creator>wsmitty@ufl.edu</dc:creator>
				<category><![CDATA[News Briefs]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Caroline Joan (Kay) Picart]]></category>
		<category><![CDATA[law review articles]]></category>
		<category><![CDATA[Volume XVIII Issue 14]]></category>

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		<description><![CDATA[Caroline Joan (Kay) S. Picart (3L) has published two law review articles in April 2012: &#8220;A Tango between Copyright and Critical Race Theory: Whiteness as Status Property in Balanchine&#8217;s Ballets, [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.law.ufl.edu/flalaw/wp-content/uploads/2012/04/Caroline-Picart-book.jpg"><img class="alignright size-full wp-image-4495" title="Caroline Picart book" src="http://www.law.ufl.edu/flalaw/wp-content/uploads/2012/04/Caroline-Picart-book.jpg" alt="Picart publishes book, articles" width="100" height="125" /></a>Caroline Joan (Kay) S. Picart (3L) has published two law review articles in April 2012: &#8220;A Tango between Copyright and Critical Race Theory: Whiteness as Status Property in Balanchine&#8217;s Ballets, Fuller&#8217;s Serpentine Dance and Graham&#8217;s Modern Dances,&#8221; (Yeshiva University) 18<em>Cardozo Journal of Law &amp; Gender</em> 101 (forthcoming, April 2012). Also, &#8220;Colloquium Proceedings: Critical Pedagogy, Race/Gender &amp; Intellectual Property 48&#8243;<em>California Western Law Review 101</em> (forthcoming, April 2012). Picart co-edited and co-authored the book <em>Speaking of Monsters: A Teratological Anthology</em> (Palgrave Macmillan), forthcoming in July 2012, and ten encyclopedia entries for<em>Graphic Horror: Movie Monster Memories</em> Ed. John Edgar Browning (Schiffer Publishing, Ltd.), forthcoming in June 2012.</p>
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		<title>3L publishes new book on monsters</title>
		<link>http://www.law.ufl.edu/flalaw/2012/03/3l-publishes-new-book-on-monsters/</link>
		<comments>http://www.law.ufl.edu/flalaw/2012/03/3l-publishes-new-book-on-monsters/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 14:52:43 +0000</pubDate>
		<dc:creator>wsmitty@ufl.edu</dc:creator>
				<category><![CDATA[News Briefs]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Caroline Joan (Kay) Picart]]></category>
		<category><![CDATA[Florida Journal of International Law]]></category>
		<category><![CDATA[Speaking of Monsters]]></category>
		<category><![CDATA[Volume XVIII Issue 10]]></category>

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		<description><![CDATA[Speaking of Monsters is no scary story. The new book from UF Law&#8217;s Caroline Picart (3L), who is also editor-in-chief of the Florida Journal of International Law, takes on the world of [...]]]></description>
				<content:encoded><![CDATA[<p><em>Speaking of Monsters</em> is no scary story. The new book from UF Law&#8217;s Caroline Picart (3L), who is also editor-in-chief of the <em>Florida Journal of International Law</em>, takes on the world of monsters and shows the reader the only monsters are here. <em>Speaking of Monsters: A Teratological Anthology</em>, Picart and co-editor John Browning bring together a collection of teratologies, stories of abnormalities and deformations, in redefining what is means to be normal in a monstrous world. This book is far from Picart&#8217;s first monster mash. She&#8217;s written extensively on the ghoulish and ghastly before in books that include <em>Remaking the Frankenstein Myth on Film: Between Laughter and Horror</em>; <em>Monsters in and Among Us: Towards a Gothic Criminology;</em> and <em>Draculas, Vampires and Other Undead Forms: Essays on Gender, Race and Culture</em>, which she also joined forces with Browning to edit. <em>Speaking of Monsters</em> is set to be published by Palgrave-Macmillan this summer.</p>
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		<title>Student earns four degrees, travels world before enrolling at UF Law</title>
		<link>http://www.law.ufl.edu/flalaw/2012/01/student-earns-four-degrees-travels-world-before-enrolling-at-uf-law/</link>
		<comments>http://www.law.ufl.edu/flalaw/2012/01/student-earns-four-degrees-travels-world-before-enrolling-at-uf-law/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 14:16:00 +0000</pubDate>
		<dc:creator>wsmitty@ufl.edu</dc:creator>
				<category><![CDATA[Feature]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[Cambridge scholar]]></category>
		<category><![CDATA[Caroline Joan (Kay) Picart]]></category>
		<category><![CDATA[Volume XVIII Issue 3]]></category>

		<guid isPermaLink="false">http://www.law.ufl.edu/wpflalaw/?p=4194</guid>
		<description><![CDATA[If life were a chessboard, Caroline Picart (3L) would be the queen. Her ability to move swiftly and decisively has amounted to four degrees of higher education in biology and [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.law.ufl.edu/flalaw/wp-content/uploads/2012/04/Picart.jpg"><img class="alignleft size-full wp-image-4195" title="Picart" src="http://www.law.ufl.edu/flalaw/wp-content/uploads/2012/04/Picart.jpg" alt="Picart bio." width="200" height="300" /></a>If life were a chessboard, Caroline Picart (3L) would be the queen. Her ability to move swiftly and decisively has amounted to four degrees of higher education in biology and philosophy, a postdoc in criticism, theory &amp; jurisprudence, numerous book publications, art exhibitions and a radio show with an audience of nearly 2 million listeners.</p>
<p>&#8220;Some people may call my life complicated,&#8221; Picart said, &#8220;but I know that everything I&#8217;ve done is to be true to myself — to follow what I am curious about and passionate enough to work on.&#8221;</p>
<p>Born in Nueva Vizcaya, Philippines, Picart grew up under martial law. In 1986, while working on her bachelor&#8217;s degree in biology, she became a student leader in the People Power Revolution that overthrew the country&#8217;s ruler, Ferdinand Marcos.</p>
<p>&#8220;I was one of hundreds of student leaders who formed human barricades and encouraged soldiers to step down,&#8221; she said.</p>
<p>After earning her bachelor&#8217;s degree in biology and her master&#8217;s degree in philosophy from Ateneo de Manila University and working simultaneously in three departments teaching zoology, introduction to philosophy and introduction to astrophysics, Picart left the Philippines in 1989.</p>
<p>She attended Cambridge University in England as the Sir Run Run Shaw Scholar, a competitive international scholarship open to Asians, to study Neuroembryology under Roger Keynes, the great grandson of John Maynard Keynes, the economist. When she developed allergies to the chemicals she worked with, she instead pursued a master of philosophy degree (M.Phil.) in history and philosophy of science.</p>
<p>&#8220;The change was swift with the help of my professors from the biology department, who truly treated me with respect and compassion,&#8221; she said.</p>
<p>Two scientific abstracts later published by her professors included her name as one of the authors.</p>
<p>Picart graduated from Cambridge in 1991 at the top of her class but felt the urge to reflect on the professional options open to her. She spent a year in Seoul, South Korea, teaching English as a professor at the Yonsei University Foreign Language Institute, writing as an invited columnist for English-language newspapers, hosting one-woman exhibitions as a visual artist, and instructing ballroom dancing in her spare time.</p>
<p>&#8220;While I was offered opportunities to stay in South Korea and I enjoyed being there,&#8221; she said, &#8220;I felt that I still had room to grow and new worlds to explore.&#8221;</p>
<p>Picart decided to pursue her Ph.D. in philosophy and was offered scholarships from Cambridge University, the University of Pittsburgh and The Pennsylvania State University. She chose to study continental philosophy with doctoral minors in aesthetics, criticism and comparative literature at The Pennsylvania State University, then reputed to have the top continental philosophy program.</p>
<p>Since receiving her Ph.D. in 1996, Picart has produced sketches, paintings, books, scholarly and popular articles and syllabi across the world. She has also performed and competed in ballroom dance, and in 2006, won the U.S. Open Pro Am Competition in Cabaret, a mix of ballroom, ballet and gymnastics.</p>
<p>She originally began drawing with her father when she was a child. In 1986, Picart&#8217;s pen and ink sketches were featured in her first art show; her one-woman show in Seoul, South Korea, was the first by a Filipino woman and came highly recommended by the Philippine Embassy. She routinely produces new works of art to display in exhibitions and in keeping with client orders.</p>
<p>&#8220;The first impulses of drawing started with my father,&#8221; she said. &#8220;In college it was a way to relax.&#8221;</p>
<p>Picart&#8217;s writing subjects are also rooted in her childhood. She has published several books on the tales of Dracula and Frankenstein, and how the stories changed over time. Her most recent book, to be released in 2012 with Palgrave-Macmillan, is<em>Speaking of Monsters: A Teratological Anthology</em>.</p>
<p>&#8220;My nanny used to tell me stories about vampires and monsters, and they always fascinated me,&#8221; she said. &#8220;Growing up, I have always lived across different cultures, and the rhetorics of monstrosity — of creating &#8216;monsters&#8217; — and the social construction of &#8216;others&#8217; continue to draw my attention.&#8221;</p>
<p>Picart has also written books pertaining to the Holocaust and ballroom dancing.</p>
<p>Before attending UF Law, she was a tenured associate professor at Florida State University. She taught courses on the theory and issues of film and literature through different time periods. It was during her teaching, that she became interested in the practice of law, and chose to apply to law schools.</p>
<p>En route to law school, Picart hosted a nationally and internationally syndicated radio show. Her guests included Nobel Prize winners Keith Beauchamp and Sir Harry Kroto, and professors in several fields.</p>
<p>Picart was accepted to law schools in several states, some with full scholarships. Before deciding to enroll at UF Law, she had the opportunity to speak with Judge Richard Posner of the 7th Circuit of the United States Court of Appeals, who advised her that if her long-term goals were to stay in Florida, it would be best to go to the flagship school.</p>
<p>&#8220;UF Law was the best choice, overall, especially with my and my husband&#8217;s personal and professional ties to Florida,&#8221; she said.</p>
<p>While attending UF Law, Picart has gained interests in international law and intellectual property. She recently had an article published in the East Asia Law Review at the University of Pennsylvania, &#8220;Attempting to Go Beyond Forgetting: the Legacy of the Tokyo IMT and Crimes of Violence Against Women as a Military Strategy.&#8221;</p>
<p>Picart is expected to graduate in August with her options open for a possible fellowship, judicial clerkship or a practice in one of her fields of interest.</p>
<p>&#8220;While I know I move rapidly from one area to the next,&#8221; she said, &#8220;I know there will come a time where I have to settle down. Until then, I will continue to explore what lies ahead, with my husband by my side.&#8221;</p>
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		<title>3L presents work in San Diego</title>
		<link>http://www.law.ufl.edu/flalaw/2011/10/3l-presents-work-in-san-diego/</link>
		<comments>http://www.law.ufl.edu/flalaw/2011/10/3l-presents-work-in-san-diego/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 18:09:34 +0000</pubDate>
		<dc:creator>wsmitty@ufl.edu</dc:creator>
				<category><![CDATA[News Briefs]]></category>
		<category><![CDATA[Students]]></category>
		<category><![CDATA[Caroline Joan (Kay) Picart]]></category>
		<category><![CDATA[Volume XVII Issue 9]]></category>
		<category><![CDATA[XVIth Annual Latino & Latina Critical Theory Conference]]></category>

		<guid isPermaLink="false">http://www.law.ufl.edu/wpflalaw/?p=170</guid>
		<description><![CDATA[Caroline Joan (Kay) Picart (3L) presented a work in progress on &#8220;Copyright and Choreography: The Construction of Whiteness in Loie Fuller&#8217;s, George Balanchine&#8217;s and Martha Graham&#8217;s Choreographic Works&#8221; at the [...]]]></description>
				<content:encoded><![CDATA[<p>Caroline Joan (Kay) Picart (3L) presented a work in progress on &#8220;Copyright and Choreography: The Construction of Whiteness in Loie Fuller&#8217;s, George Balanchine&#8217;s and Martha Graham&#8217;s Choreographic Works&#8221; at the XVIth Annual Latino &amp; Latina Critical Theory Conference in San Diego, Calif., on Oct. 8.</p>
<p>Picart was one of 20 law students around the nation invited to present at the conference.</p>
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		<title>3L publishes co-authored book review, invited to present at San Diego conference</title>
		<link>http://www.law.ufl.edu/flalaw/2011/08/3l-publishes-co-authored-book-review-invited-to-present-at-san-diego-conference/</link>
		<comments>http://www.law.ufl.edu/flalaw/2011/08/3l-publishes-co-authored-book-review-invited-to-present-at-san-diego-conference/#comments</comments>
		<pubDate>Mon, 29 Aug 2011 19:28:07 +0000</pubDate>
		<dc:creator>wsmitty@ufl.edu</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Caroline Joan (Kay) Picart]]></category>
		<category><![CDATA[Vol. XVII Issue 2]]></category>

		<guid isPermaLink="false">http://www.law.ufl.edu/wpflalaw/?p=234</guid>
		<description><![CDATA[Caroline Joan (&#8220;Kay&#8221;) Picart (3L) published a co-authored book review with Marlowe Fox of Marouf A. Hasian, Jr.&#8217;s Rhetorical Vectors of Memory in National and International Holocaust Trials (East Lansing, [...]]]></description>
				<content:encoded><![CDATA[<p>Caroline Joan (&#8220;Kay&#8221;) Picart (3L) published a co-authored book review with Marlowe Fox of Marouf A. Hasian, Jr.&#8217;s <em>Rhetorical Vectors of Memory in National and International Holocaust Trials</em> (East Lansing, MI: Michigan State University Press, 2006), Southern Journal of Communication, Vol. 76, No. 3, July-August 2011. She has a contracted, forthcoming article, &#8220;Attempting to Go Beyond Forgetting: the Legacy of the Tokyo IMT and Crimes of Violence Against Women as a Military Strategy,&#8221; <em>East Anglia Law Review</em> (University of Pennsylvania), Volume VII, November 2011, and published an invited blog, &#8220;Copyright, Choreography and Critical Race Theory: Whiteness as Status Property in Balanchine&#8217;s Ballets,&#8221; <em>Arizona State University Law Review</em> blog, April 14, 2011. She has been invited to present her research at a forthcoming law conference: &#8220;Works in Progress: &#8216;Exotic&#8217; Whiteness as Status Property in Fuller&#8217;s Skirt Dance and Graham&#8217;s Modern Dances, Latino and Latina Critical Theory Conference&#8221; (LatCrit) VI, San Diego, CA, forthcoming Oct. 8, 2011.</p>
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